Houston Grand Opera

Houston Grand Opera


Houston Grand Opera (HGO) Houston Grand Opera (HGO) was founded in 1955 through the joint efforts of Maestro Walter Herbert and cultural leaders Mrs. Louis G. Lobit, Edward Bing and Charles Cockrell. From its modest beginnings – HGO's inaugural season featured a mere two performances of two operas, Salome and Madame Butterfly HGO has grown into a company of international stature that presents six to eight productions per season.

HGO's mission is to contribute to the cultural enrichment of Houston and the nation by producing and performing world-class opera, and by creating a diverse, innovative, and balanced program of performances, events, and community and education projects that reach the widest possible public. Its core values are excellence, relevance and affordability. With an operating budget of $20 million in fiscal year 2011 (the 2010/11 season), HGO is a true cultural service provider to the greater Houston area and the Gulf Coast region, serving over 5 million people annually. One of the country's principal commissioners and producers of new works, HGO has introduced 43 world premieres and six American premieres since 1973. HGO has received a Tony Award, two Grammy Awards, and two Emmy Awards—the only opera company in the world to have won all three honors.

Read more about Houston Grand Opera:  Company Foundation, Artists Who Have Appeared At HGO, HGO Studio, HGOco, Guild, Touring, Broadcast and Surtitles, The Genevieve P. Demme Archives and Resource Center, Wortham Theater Center, Nexus Initiative

Famous quotes containing the words houston, grand and/or opera:

    In Washington, the first thing people tell you is what their job is. In Los Angeles you learn their star sign. In Houston you’re told how rich they are. And in New York they tell you what their rent is.
    Simon Hoggart (b. 1946)

    What do you do in the Grand Hotel? Eat, sleep, loaf around, flirt a little, dance a little. A hundred doors leading to one hall. No one knows anything about the person next to them. And when you leave, someone occupies your room, lies in your bed. That’s the end.
    William A. Drake (1900–1965)

    If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
    —W.H. (Wystan Hugh)