Origins
The Romanovs share their origin with two dozen other Russian noble families. Their earliest common ancestor is one Andrei Kobyla, attested as a boyar in the service of Semyon I of Moscow. Later generations assigned to Kobyla the most illustrious pedigrees. An 18th century genealogy book claimed that he was the son of the Prussian prince Glanda Kambila, who came to Russia in the second half of the 13th century, fleeing the invading Germans. Indeed, one of the leaders of the Old Prussian rebellion of 1260-1274 against the Teutonic order was named Glande.
His actual origin may have been less spectacular. Not only is Kobyla Russian for "mare", some of his relatives also had as nicknames the terms for horses and other domestic animals, thus suggesting descent from one of the royal equerries. One of Kobyla's sons, Feodor, a boyar in the boyar duma of Dmitri Donskoi, was nicknamed Koshka (cat). His descendants took the surname Koshkin, then changed it to Zakharin, which family later split into two branches: Zakharin-Yakovlev and Zakharin-Yuriev. During the reign of Ivan the Terrible, the former family became known as Yakovlev (Alexander Herzen being the most illustrious of them), whereas grandchildren of Roman Zakharin-Yuriev changed their name to Romanov.
Read more about this topic: House Of Romanov
Famous quotes containing the word origins:
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)