History
Built between 1883 and 1885 and opened for initial occupation in 1884, the twelve-story red-brick building that is now the Hotel Chelsea was one of the city's first private apartment cooperatives. It was designed by the firm of Hubert, Pirsson & Company in a style that has been described variously as Queen Anne Revival and Victorian Gothic. Among its distinctive features are the delicate, flower-ornamented iron balconies on its facade, which were constructed by J.B. and J.M Cornell and its grand staircase, which extends upward twelve floors. Generally, this staircase is only accessible to registered guests, although the hotel does offer monthly tours to others.
At the time of its construction, the building was the tallest in New York, and its surrounding neighborhood constituted the center of New York's theater district. However, within a few years the combination of economic stresses and the relocation of the theaters bankrupted the Chelsea cooperative. In 1905, the building reopened as a hotel, which was later managed by Knott Hotels and resident manager A. R. Walty. After the hotel went bankrupt, it was purchased in 1939 by Joseph Gross, Julius Krauss, and David Bard, and these partners managed the hotel together until the early 1970s. With the passing of Joseph Gross and Julius Krauss, the management fell to Stanley Bard, David Bard's son.
On June 18, 2007, the hotel's board of directors ousted Bard as the hotel's manager. Dr. Marlene Krauss, the daughter of Julius Krauss, and David Elder, the grandson of Joseph Gross and the son of playwright and screenwriter Lonne Elder III, replaced Stanley Bard with the management company BD Hotels NY; that firm has since been terminated as well.
In May 2011, the hotel was sold to real estate developer Joseph Chetrit for US$80 million dollars. As of August 1, 2011 the hotel stopped taking reservations for guests in order to begin renovations, but long-time residents remain in the building, some of them protected by state rent regulations. The renovations prompted complaints by the remaining tenants of health hazards caused by the construction. These were investigated by the city's Building Department, which found no major violations. In November 2011, the management ordered all of the hotel's many artworks taken off the walls, supposedly for their protection and cataloging, a move which some tenants interpreted as a step towards forcing them out as well.
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—David Hume (1711–1776)