Language
Certain linguistic conventions are followed among rodders and customizers:
- The model year is rarely given in full, except when it might be confused, so a 1934 model is a '34, while a 2005 might be an '05 or not.
- A '32 is usually a Deuce and most often a roadster, unless coupé is specified, and almost always a Ford.
- A 3- or 5-window is usually a Ford, unless specified.
- A flatty is a flathead V8 (always Ford, unless specified); a late (or late model) flatty is probably a Merc.
- A hemi ("hem ee") is always a 426, unless displacement (331, 354, or 392) is specified; a 426 is a hemi, unless Wedge is specified.
- A 392 is an early hemi.
- A 331 or 354 is known to be an (early) hemi, but rarely referred to as such
- Units are routinely dropped, unless they are unclear, so a 426 cubic inch (in³) engine is simply referred to as a 426, a 5 liter engine is a 5.0 ("five point oh"), and a 600 cubic feet per minute (cfm) carburetor is a 600. Engine displacement can be described in cubic inches or liters (for example, a 5.7 liter engine is also known as a 350 {"three fifty"}); this frequently depends on which units the user is most comfortable or familiar with.
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Famous quotes containing the word language:
“Philosophy is written in this grand bookI mean the universe
which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometrical figures, without which it is humanly impossible to understand a single word of it.”
—Galileo Galilei (15641642)
“Syntax and vocabulary are overwhelming constraintsthe rules that run us. Language is using us to talkwe think were using the language, but language is doing the thinking, were its slavish agents.”
—Harry Mathews (b. 1930)
“Experiment is necessary in establishing an academy, but certain principles must apply to this business of art as to any other business which affects the artis tic sense of the community. Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.”
—Robert Menzies (18941978)