Hooded Crow - Cultural Significance

Cultural Significance

In Celtic folklore, the bird appears on the shoulder of the dying Cú Chulainn, and could also be a manifestation of the Morrígan, the wife of Tethra, or the Cailleach. This idea has persisted, and the Hooded Crow is associated with fairies in the Scottish highlands and Ireland; in the 18th century, Scottish shepherds would make offerings to them to keep them from attacking sheep. In Faroese folklore, a maiden would go out on Candlemas morn and throw a stone, then a bone, then a clump of turf at a Hooded Crow – if it flew over the sea, her husband would be a foreigner; if it landed on a farm or house, she would marry a man from there; but if it stayed put, she would remain unmarried.

The Hooded Crow is featured on the crest of the North Hertfordshire District Council. it is also one of the 37 Norwegian birds depicted in the Bird Room of the Royal Palace in Oslo. Jethro Tull mentions the Hooded Crow on the song "Jack Frost and the Hooded Crow" as a bonus track on the digitally remastered version of Broadsword and the Beast and on their The Christmas Album.