Film and Television Career
As a teenager, in 1999 she was cast in the long-running Australian soap Neighbours as Felicity "Flick" Scully. Valance left the series in 2002 to pursue a music career.
In 2004 Valance returned to acting, this time in the United States, appearing in episodes of the television series CSI: Miami and Entourage. In 2005 she appeared in an episode of CSI: NY. She guest-starred in Prison Break in 2006 as Nika Volek, a role which she continued to portray in the show's second season.
In 2006 Valance appeared in the National Lampoon comedy Pledge This!, alongside American socialite Paris Hilton. The same year, she was in DOA: Dead or Alive, an adaptation of the popular video game Dead or Alive, where she played Christie. In 2007 she appeared in the TV series Shark and Moonlight. In 2008 she had a role in the film Taken alongside Liam Neeson, and appeared in an episode of the The CW series Valentine. In 2009 Valance played Brenda Snow for the video game Command & Conquer Red Alert 3: Uprising. She also appeared in Scott Caan 's film Mercy in which she says one line at the end of the film before inexplicably they changed the actress
She is also set to appear as Angela in the movie Red Herring and as Sally in the upcoming thriller titled Luster.
She appeared in the Miss Marple television episode called "The Pale Horse".
Read more about this topic: Holly Valance
Famous quotes containing the words film, television and/or career:
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)