Medieval
Manchester was administratively part of the Salford Hundred which was created after the Norman Conquest. In 1086 the hundred covered about 350 square miles (910 km2) and had a population of about 3,000. It was given to Roger de Poitou; Roger divided the hundred into fiefdoms and made the Gresle family barons of Manchester. Albert de Gresle was the first baron of Manchester. Although the Gresle family did not reside at the manor, Manchester continued to grow in their absence and stewards represented the lords of the manor.
Manchester's entry in the Domesday Book reads "the Church of St Mary and the Church of St Michael hold one carucate of land in Manchester exempt from all customary dues except tax". St Mary's Church was an Anglo-Saxon church on the site of Manchester Cathedral; St Michael's Church may have been in Ashton-under-Lyne. The parish of Manchester – of which St Mary's Church was a part – was the ecclesiastical centre of the Salford Hundred. It covered about 60 square miles (160 km2) and extended as far as the edges of Flixton and Eccles in the west, the Mersey between Stretford and Stockport in the south, the edge of Ashton-under-Lyne in the east, and the edge of Prestwich in the north. That such a large area was covered by a single parish has been taken as evidence of the area's "impoverished and depopulated status". The only tax the parish was subject to was Danegeld.
There was a castle in Manchester overlooking the rivers Irk and Irwell, where Chetham's School of Music stands today. This castle was probably a ringwork and has been described as "of no political or military importance". By the late 13th century the Grelleys or Gresles, who were barons of Manchester for two centuries, had replaced the castle with a fortified manor house. They used the house as the administrative centre of the manor. While the town was owned by the lords of the manor, they directly leased land to tenants and created burgage tenements for indirect rent; as well as containing a house, these plots of land could also contain workshops and gardens. The family also owned the only corn mill in the manor which was used by all the tenants of the manor to grind their corn. Medieval Manchester was centred around the manor house and the Church of St Mary mentioned in the Domesday Book. As well as a castle at Manchester, there was also one in Ringway. Ullerwood Castle, a motte-and-bailey, probably dates from the 12th century and was owned by Hamon de Massey who owned several manors in the north east of Cheshire.
The first lord of the manor to actually live in Manchester was Robert Grelley (1174–1230); his presence led to an influx of skilled workers, such as stonemasons and carpenters, associated with the construction of the manor house. In the early 13th century, Manchester for a period was not under the control of the Grelleys. Robert Grelley was one of the barons who made King John sign the Magna Carta. Grelley was excommunicated for his role in the rebellion and when King John later ignored the terms of the Magna Carta, Grelley forfeited his lands. King John died in 1216 and Hubert de Burgh, 1st Earl of Kent, returned Grelley's land to him on behalf of King Henry III In the medieval period Manchester grew into a market town and had a market every Saturday. In 1223, Manchester gained the right to hold an annual fair; the market was held in Acresfield – where St Ann's Square is today – on what was then arable land. It was the first fair to be established in the Salford Hundred and the fourth in south Lancashire. Manchester became a market town in 1301 when it received its Charter. On 1 November 1315, Manchester was the starting place of a rebellion by Adam Banastre. Banastre, Henry de Lea, and William de Bradshagh rebelled against Thomas, 2nd Earl of Lancaster.
The medieval town's defences incorporated the rivers Irk and Irwell on two sides and a 410-metre (450 yd) long ditch on the others. The ditch, known as Hanging Ditch, was up to 37 metres (40 yd) wide and 37 metres (40 yd) deep. It was spanned by Hanging Bridge, the main route in and out of the town. The name may derive from hangan meaning hollow, although there is an alternative derivation from the Old English hen, meaning wild birds, and the Welsh gan, meaning between two hills. It dates to at least 1343 but may be even older.
In the 14th century Manchester became home to a community of Flemish weavers, who settled in the town to produce wool and linen, thus beginning the tradition of cloth manufacture. This sparked the growth of the city to become Lancashire's major industrial centre. The various townships and chapelries of the ancient parish of Manchester became separate civil parishes in 1866.
Thomas de la Warre was a Lord of the Manor and also a priest. He obtained licences from the Pope and King Henry V to enable him to found and endow a collegiate church, dedicated to the Blessed Virgin, St. George, and St. Denys or St. Denis, the latter two being the patron saints of England and France respectively. Construction began around 1422, and continued until the first quarter of the sixteenth century. The 'merchant princes' of the town endowed a number of chantry chapels, reflecting an increasing prosperity based on wool. This church later became Manchester Cathedral.
Thomas also gave the site of the old manor house as a residence for the priests. It remains as one of the finest examples of a medieval secular religious building in Britain, and is now the home of Chetham's School of Music.
Read more about this topic: History Of Manchester
Famous quotes containing the word medieval:
“The medieval university looked backwards; it professed to be a storehouse of old knowledge.... The modern university looks forward, and is a factory of new knowledge.”
—Thomas Henry Huxley (18251895)
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)
“The Christos-image
is most difficult to disentangle
from its art-craft junk-shop
paint-and-plaster medieval jumble
of pain-worship and death-symbol.”
—Hilda Doolittle (18861961)