Famous quotes containing the words history of, history, india, late, middle, kingdoms, classical and/or age:
“There are two great unknown forces to-day, electricity and woman, but men can reckon much better on electricity than they can on woman.”
—Josephine K. Henry, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 15, by Susan B. Anthony and Ida Husted Harper (1902)
“The custard is setting; meanwhile
I not only have my own history to worry about
But am forced to fret over insufficient details related to large
Unfinished concepts that can never bring themselves to the point
Of being, with or without my help, if any were forthcoming.”
—John Ashbery (b. 1927)
“India has 2,000,000 gods, and worships them all. In religion other countries are paupers; India is the only millionaire.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The fire I praise was once perduring flame
Till it snuffs with our generation out;
No matter, it’s all one, it’s but a name
Not as late honeysuckle half so stout....”
—Allen Tate (1899–1979)
“In our calling, we have to choose; we must make our fortune either in this world or in the next, there is no middle way.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“There was never a man born so wise or good, but one or more companions came into the world with him, who delight in his faculty, and report it. I cannot see without awe, that no man thinks alone and no man acts alone, but the divine assessors who came up with him into life,—now under one disguise, now under another,—like a police in citizen’s clothes, walk with him, step for step, through all kingdoms of time.”
—Ralph Waldo Emerson (1803–1882)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“In an age of synthetic images and synthetic emotions, the chances of an accidental encounter with reality are remote indeed.”
—Serge Daney (1944–1992)