Effects
As forensic photography grew in practice and popularity, it yielded both positive and negative results, depending on the individual and his response. Many people find it easy to agree with Barbara Miller's essay, "The New Flesh," when she writes, "the 'newsworthy' status of criminals continues to increase exponentially. Graphic accounts appear not only in tabloid media but in publications such as Time and The New York Times. More recently, the photographic documentation of killers and their violent acts has become ubiquitous on television." While most can agree that what Miller writes is true, there is a positive and negative side to this picture. While many people argue that these images are too graphic for their kids, or even themselves to see on T.V, or that they do not want to see killers or even suspected criminals like O.J. Simpson being glorified like celebrities; the growth of the publicity of the forensic image has had its positive effects as well.
The use of forensic photography and the documenting of victims of violent crimes have increased awareness by exposing the crimes. While people may have been aware of the existence of these evils, they may have tried not to imagine the severity of the crime. However, a visual aid is something that is much harder to ignore and is often shocking and moving to the viewer. While it may not be a pleasant image to rest one's eyes upon, the discomfort felt by the viewer directly affects the way he or she feels about the subject being shown; and even if it is only to avoid seeing more graphic images, the viewer is more inclined to do something to help stop the crimes being committed. The gained support has led to the starting of movements and programs dedicated to aid victims and stop future instances of these crimes. Among these are child abuse, spousal abuse, rape, and many others.
Read more about this topic: History Of Forensic Photography
Famous quotes containing the word effects:
“Consider what effects which might conceivably have practical bearings we conceive the object of our conception to have. Then our conception of these effects is the whole of our conception of the object.”
—Charles Sanders Peirce (1839–1914)
“The machines that are first invented to perform any particular movement are always the most complex, and succeeding artists generally discover that, with fewer wheels, with fewer principles of motion, than had originally been employed, the same effects may be more easily produced. The first systems, in the same manner, are always the most complex.”
—Adam Smith (1723–1790)
“Perspective, as its inventor remarked, is a beautiful thing. What horrors of damp huts, where human beings languish, may not become picturesque through aerial distance! What hymning of cancerous vices may we not languish over as sublimest art in the safe remoteness of a strange language and artificial phrase! Yet we keep a repugnance to rheumatism and other painful effects when presented in our personal experience.”
—George Eliot [Mary Ann (or Marian)