This article chronicles the history of British film certificates.
Read more about History Of British Film Certificates: Overview, 1912–1932, 1932–1951, 1951–1970, 1970–1982, 1982–1985, 1985–1989, 1989–1994, 1994–2002, 2002–2009, 2009–present, Non-standard Certificates and Ratings
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“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)
“[Men say:] “Don’t you know that we are your natural protectors?” But what is a woman afraid of on a lonely road after dark? The bears and wolves are all gone; there is nothing to be afraid of now but our natural protectors.”
—Frances A. Griffin, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 19, by Susan B. Anthony and Ida Husted Harper (1902)
“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
—Oscar Wilde (1854–1900)
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)