This article chronicles the history of British film certificates.
Read more about History Of British Film Certificates: Overview, 1912–1932, 1932–1951, 1951–1970, 1970–1982, 1982–1985, 1985–1989, 1989–1994, 1994–2002, 2002–2009, 2009–present, Non-standard Certificates and Ratings
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“The history of the past is but one long struggle upward to equality.”
—Elizabeth Cady Stanton (1815–1902)
“They are a sort of post-house,where the Fates
Change horses, making history change its tune,
Then spur away o’er empires and o’er states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.”
—George Gordon Noel Byron (1788–1824)
“Comes from a fine family. So she tells me. Brother’s a priest, all that. But, you know, death, disaster, unfortunate investments. One day she’s a little princess, up on the hill. Next, she’s down there, working the bars for the best she can.”
—Peter Prince, British screenwriter, and Stephen Frears. Harry (Bill Hunter)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)