Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western music and theater. Within this approach, the performance adheres to state-of-the-art knowledge of the aesthetic criteria of the period in which the music or theatre work was conceived. Whenever this knowledge conflicts with current aesthetic criteria, the option of re-training the listener/viewer, as opposed to adapting the work, is normally followed. Music is usually played on instruments corresponding to the period of the piece being played, such as period instruments for early music. Historical treatises, as well as additional historical evidence, are used to gain insight into the performance practice (the stylistic and technical aspects of performance) of a historic era. Corresponding types of acting and scenery are deployed. Historically informed performance has originated in the performance of Medieval, Renaissance, and Baroque music, but has come to encompass music from the Classical and Romantic eras as well. Quite recently, the phenomenon has begun to affect the theatrical stage, for instance in the production of Baroque opera.
Read more about Historically Informed Performance: Traditional Musical Practice, Early Instruments, Singing, Layout, Issues
Famous quotes containing the words historically, informed and/or performance:
“A two-parent family based on love and commitment can be a wonderful thing, but historically speaking the two-parent paradigm has left an extraordinary amount of room for economic inequality, violence and male dominance.”
—Stephanie Coontz (20th century)
“Camped on a tropic riverside,
One day he missed his loving bride.
She had, the guide informed him later,
Been eaten by an alligator.
Professor Twist could not but smile.
You mean, he said, a crocodile.”
—Ogden Nash (19021971)
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (18881959)