The Historical Permission Notice and Disclaimer is an open source license, approved by the Open Source Initiative (OSI). It is unique among the OSI's licenses because of the choices it allows in its construction; it lets the licensor pick anywhere from 0-2 warranty disclaimers, whether they want to prohibit your publicity of the software derivatives (like in the BSD License), and other spelling and grammar options. Besides this, the license can be almost functionally identical to the new 3-clause BSD License (if the option for the no-promotion clause is exercised), or the MIT License (if the option for the no-promotion clause is not exercised).
Variants of this license are in use primarily in older software, including the original BSD kernel, developed by IBM, Intel and others. Today, it is most popular to choose either the new 3-clause BSD License or the MIT License to meet the licensing needs of the developer.
This is the only OSI-certified license (excluding the public domain) that can lack a disclaimer of warranty. The Free Software Foundation has not yet recognized this license as a free software license in the general case, but has done so for certain variations, such as that used for versions of Python before 1.6b.
Famous quotes containing the words historical, permission and/or notice:
“This seems a long while ago, and yet it happened since Milton wrote his Paradise Lost. But its antiquity is not the less great for that, for we do not regulate our historical time by the English standard, nor did the English by the Roman, nor the Roman by the Greek.... From this September afternoon, and from between these now cultivated shores, those times seemed more remote than the dark ages.”
—Henry David Thoreau (1817–1862)
“Who is this Renaissance? Where did he come from? Who gave him permission to cram the Republic with his execrable daubs?”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera—and himself.”
—Daniel J. Boorstin (b. 1914)