Hiroyuki Ito - Works

Works

Release Title System Credit(s)
1987 Rad Racer Debugger (uncredited)
1987 Final Fantasy Debugger (uncredited)
1988 Final Fantasy II Debugger (uncredited)
1989 Square's Tom Sawyer Planning
1989 Final Fantasy Legend Scenario writer, map designer
1990 Final Fantasy III Debugger, sound effects
1990 Rad Racer II Game designer
1991 Final Fantasy IV Battle system designer
1992 Final Fantasy V Game designer, battle system designer
1994 Final Fantasy VI Director, game designer, battle system designer
1995 Chrono Trigger Event planner
1996 Super Mario RPG: Legend of the Seven Stars Special thanks
1997 Final Fantasy VII Battle system concept, Materia system concept (uncredited)
1997 Final Fantasy Tactics Game designer, battle system main planner
1999 Final Fantasy VIII Battle system designer
2000 Final Fantasy IX Director, game designer, battle system director, scenario writer, "Melodies of Life" lyricist
2000 Chocobo on the Job Game designer
2002 Final Fantasy XI Special thanks
2006 Final Fantasy XII Director, game designer, battle system director
2006 Final Fantasy V Advance Supervisor
2006 Final Fantasy VI Advance Supervisor
2007 Final Fantasy Tactics: The War of the Lions Supervisor
2007 Final Fantasy XII International Zodiac Job System Producer, director, game designer, battle system director
2007 Final Fantasy IV DS Battle system supervisor
2009 Gyromancer Special thanks
2011 Dissidia 012: Final Fantasy Special thanks
2012 Guardian Cross Concept

The following credits belong to a different Hiroyuki Ito who was a former employee of Jupiter Corporation.

  • Kingdom Hearts: Chain of Memories (2004, for Game Boy Advance) - Main programmer (Jupiter Corporation staff)
  • The World Ends with You (2007, for Nintendo DS) - Planning director (Jupiter Corporation staff)
  • Kingdom Hearts 358/2 Days (2009, for Nintendo DS) - Lead planner: missions
  • Kingdom Hearts Re:coded (2010, for Nintendo DS) - Co-director

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Famous quotes containing the word works:

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    Henry David Thoreau (1817–1862)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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    The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?
    Martina Navratilova (b. 1956)