Video Game Soundtracks
- Radar Scope (1979)
- Space Firebird (1980) (sound effects only)
- Pac-Man Fever (1982) (album; sound effects only)
- Urban Champion (1984)
- Balloon Fight (1984)
- Wild Gunman (1984)
- Hogan's Alley (1984)
- Duck Hunt (1985)
- Gyromite (1985)
- Stack-Up (1985)
- Wrecking Crew (1985)
- Gumshoe (1986)
- Kid Icarus (Hikari Shinwa: Palthena no Kagami) (1986)
- Metroid (1986)
- Famicom Wars (1988)
- Tetris (1989)
- Yakuman (1989)
- Super Mario Land (1989)
- Mother (with Akio Ohmori, Ritsuo Kamimura, and Keiichi Suzuki) (1989)
- Balloon Kid (Balloon Fight GB in Japan) (1990)
- Dr. Mario (1990)
- Fire Emblem: Ankoku Ryū to Hikari no Tsurugi (with Yuka Tsujiyoko) (1990)
- EarthBound (Mother 2, 1994, with Keiichi Suzuki)
- Snoopy Concert (with Minako Hamano) (1995)
- Game Boy Camera (1998)
- Chee-Chai Alien (2001)
- Super Smash Bros. Brawl (2008) (with many other composers)
- Fire Emblem: Shadow Dragon (with Yuka Tsujiyoko) (2008)
- This list of songs or music-related items is incomplete; you can help by expanding it.
Read more about this topic: Hirokazu Tanaka
Famous quotes containing the words video game, video and/or game:
“I recently learned something quite interesting about video games. Many young people have developed incredible hand, eye, and brain coordination in playing these games. The air force believes these kids will be our outstanding pilots should they fly our jets.”
—Ronald Reagan (b. 1911)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)