Culture
Himachal was one of the few states that had remained largely untouched by external customs, largely due to its difficult terrain. With the technological advancements the state has changed very rapidly. It is a multireligional, multicultural as well as multilingual state like other Indian states. Some of the most commonly spoken languages includes Hindi, Pahari, Dogri, Mandeali Kangri, Mandyali, Gojri and Kinnauri. The caste communities residing in Himachal include the Brahmins, Rajputs, Gujjars, Gaddis, Grith (choudhary), Kannets, Rathis and Kolis, Sood There are tribal populations in the state which mainly comprise Kinnars, Pangawals, Sulehria, and Lahaulis.
The state is well known for its handicrafts. The carpets, leather works, shawls, metalware, woodwork and paintings are worth appreciating. Pashmina shawls are a product that is highly in demand in Himachal and all over the country. Himachali caps are famous art work of the people. Extreme cold winters of Himachal necessitated wool weaving. Nearly every household in Himachal owns a pit-loom. Wool is considered as pure and is used as a ritual cloth. The well-known woven object is the shawl, ranging from fine pashmina to the coarse desar. Kullu is famous for its shawls with striking patterns and vibrant colours. Kangra and Dharamshala are famous for Kangra miniature paintings.
Local music and dance reflect the cultural identity of the state. Through their dance and music, they entreat their gods during local festivals and other special occasions. Apart from the fairs and festivals that are celebrated all over India, there are number of other fairs and festivals that are of great significance to Himachal Pradesh.
Shimla, the state capital, is home to Asia's only natural ice skating rink.
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Famous quotes containing the word culture:
“The second fundamental feature of culture is that all culture has an element of striving.”
—Johan Huizinga (18721945)
“As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.”
—Margaret Mead (19011978)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
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