Production
Pilot: Brandon Tartikoff commissioned a series from MTM Productions, who assigned Bochco and Kozoll to the project. The pilot was produced in 1980, but was held back as a mid-season replacement, so as not to get lost amongst the other programs debuting in the fall of 1980. Barbara Bosson, who was married to Bochco, had the idea to fashion the series into four- or five-episode story "arcs". Robert Butler directed the pilot, developing a look and style inspired by the 1977 documentary The Police Tapes, in which filmmakers used handheld cameras to follow police officers in the South Bronx. Butler went on to direct the first four episodes of the series, and Bosson had hoped he would stay on permanently. However, he felt he was not being amply recognized for his contributions to the show's look and style and left to pursue other projects. He would return to direct just one further episode, "The Second Oldest Profession" in season two.
Season 1: The pilot aired on Thursday, January 15, 1981, at 10 pm, which would be the show's time slot for nearly its entire run. Episode two aired two nights later; the next week followed a similar pattern (episode 3 on Thursday, 4 on Saturday). NBC had ordered 13 episodes, and the season was supposed to end on May 25 with a minor cliffhanger (the resolution of Sgt. Esterhaus's wedding). Instead, building critical acclaim prompted NBC to order an additional four episodes to air during May sweeps. Bochco and Kozoll fashioned this into a new story arc, which aired as two two-hour episodes to close the season. One new addition with these final four episodes was Ofc. Joe Coffey (played by Ed Marinaro), who originally had died in the first season finale's broadcast.
In early episodes, the opening theme had several clearly audible edits; this was replaced by a longer, unedited version partway through the second season. The end credits for the pilot differed from the rest of the series in that the background still shot of the station house was completely different; it was also copyrighted in 1980 instead of 1981.
The show became the lowest-rated program ever renewed for a second season. However, it was only renewed for ten episodes. A full order was picked up part way through the season.
Season 2: A writer strike pushed the start of the season forward to October 29, meaning that only 19 episodes were completed that year. Kozoll was now listed as a consultant, signifying his diminished role in the show. He later stated he was already feeling burnt out, and in fact was relying more on car chases and action to fill the scripts.
A less muted version of the closing theme was played over the end credits.
Season 3: Kozoll left the show at the end of season two, replaced for the most part by Anthony Yerkovich (who later created Miami Vice after leaving Hill Street Blues at the end of this season) and David Milch. This was the show's most popular in terms of viewership, as it finished No. 21. This was also the birth of "Must See TV", as the show was joined by Cheers, Taxi, and Fame. The network promoted Thursdays as "the best night of television on television." Michael Conrad was increasingly absent from the show due to his ongoing battle with cancer.
Season 4: Following his death on November 22, 1983, Michael Conrad's final appearance was broadcast halfway through the season in February 1984 in a memorable send-off episode, "Grace Under Pressure".
The show won its fourth and final Emmy for Outstanding Drama Series this season.
Season 5: The show changed drastically this season, entering a somewhat "soap operatic" period according to Bochco. New characters included Sgt. Stanislaus Jablonski (played by Robert Prosky), Det. Patsy Mayo (Mimi Kuzyk), and Det. Harry Garibaldi (Ken Olin), while Mrs. Furillo (Bosson) became a full-time member of the squad room. Bochco was dismissed at season's end by then-MTM President Arthur Price. The firing was due to Bochco's cost overruns, coupled with the fact that the show had achieved the 100-episode milestone needed to successfully syndicate the program.
Betty Thomas won an Emmy for Outstanding Supporting Actress In a Drama Series this season. However, at the awards ceremony, recurring imposter Barry Bremen rushed the stage ahead of Thomas and claimed she was unable to attend. He then claimed the award and left the stage, confusing viewers and robbing Thomas of her moment in the sun, although she returned and spoke after the ad break. Presenter Peter Graves suggested that Bremen was "on his way to the cooler."
Season 6: Major changes occurred as Joe Coffey, Patsy Mayo, Det. Harry Garibaldi, Lt. Ray Calletano (René Enríquez), Fay Furillo (Barbara Bosson) and Officer Leo Schnitz (Robert Hirschfeld) all left the show. The sole addition was Lt. Norman Buntz, played by Dennis Franz. In a 1991 interview on Later with Bob Costas, Ken Olin explained that these characters were removed so that the new show-runners could add characters for which they would receive royalties.
The season premiere opened with a roll call filled with officers never before seen on the show, briefly fooling viewers into thinking the entire cast had been replaced. It was then revealed that this was, in fact, the night shift. The action then cut to the day shift pursuing their after-work activities. Another unique episode from this season explained through flashbacks how Furillo and Ms. Davenport met and fell in love.
This was the first season that Travanti and Hamel were not nominated for the Emmy for Outstanding Lead Actor/Actress in a Drama Series.
Season 7: Officer Patrick Flaherty (played by Robert Clohessy) and Officer Tina Russo (Megan Gallagher) joined this season in an attempt to rekindle the Bates-Coffey relationship of years past. Stanislaus Jablonski became a secondary character part way through this season, and when Travanti announced he would not return the next year, the producers decided to end the show in 1987. The program was also moved to Tuesday nights after six years to make way for L.A. Law on Thursdays.
This was the only season that Weitz was not nominated for the Emmy for Outstanding Supporting Actor in a Drama Series. This was also the only season for which the show was not nominated for Outstanding Drama Series.
Read more about this topic: Hill Street Blues
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (18741965)
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—Karl Marx (18181883)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (18721933)