High Tor - Play

Play

The play is named for a summit overlooking the Tappan Zee portion of New York's Hudson River, near where Anderson lived in Rockland County. The story was inspired by the real life controversy over quarrying the palisades along the lower Hudson. The play also shares the plot element of a ghostly crew of Dutch sailors on the Hudson with Washington Irving's short story Rip Van Winkle.

Anderson began writing the play in May 1936. It was first presented on any stage in Cleveland, Ohio, in December 1936, with Burgess Meredith (Anderson's neighbor in Rockland County) and Peggy Ashcroft in the lead roles. The production moved to Broadway ten days later in January 1937, where it played 171 performances. Anderson won the New York Drama Critics Circle Award for the best American play of the 1936–1937 season. The award included this citation:

In its decision the circle celebrates the advent of the first distinguished fantasy by an American in many years. Imaginative and as comic as it is poetic in both spirit and expression, High Tor is a singular accomplishment, giving rare grace to this theatrical season in New York.

In 1942, Anderson helped organize and served as the chairman of the Rockland County Committee To Save High Tor, which helped raise money to purchase the property in 1943 for the creation of a public park.

Read more about this topic:  High Tor

Famous quotes containing the word play:

    We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.
    Helen Hayes (1900–1993)

    If, from the very first, the action of the play is absurd, it is because this is the way mad Waltz—before the play starts—imagines it is going to be....
    Vladimir Nabokov (1899–1977)

    We can escape the commonplace only by manipulating it, controlling it, thrusting it into our dreams or surrendering it to the free play of our subjectivity.
    Raoul Vaneigem (b. 1934)