High Art
Much of high culture consists of the appreciation of what is sometimes called "High Art". This term is rather broader than Arnold's definition and besides literature includes music, visual arts (especially painting), and traditional forms of the performing arts (including some cinema). The decorative arts would not generally be considered High Art.
The cultural products most often regarded as forming part of high culture are most likely to have been produced during periods of High civilization, for which a large, sophisticated and wealthy urban-based society provides a coherent and conscious aesthetic framework, and a large-scale milieu of training, and, for the visual arts, sourcing materials and financing work. Such an environment enables artists, as near as possible, to realize their creative potential with as few as possible practical and technical constraints. Although the Western concept of high culture naturally concentrates on the Graeco-Roman tradition, and its resumption from the Renaissance onwards, such conditions existed in other places at other times. A tentative list of high cultures, or cultures producing High Art, might therefore include:
- Ancient Greece
- Ancient Rome
- Ancient China
- Ancient India
- Byzantium
- Ancient Egypt
- Persia
- Several cultures of the Middle East at various periods
- Europe from the 14th century
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Famous quotes containing the words high art, high and/or art:
“There is a sort of homely truth and naturalness in some books which is very rare to find, and yet looks cheap enough. There may be nothing lofty in the sentiment, or fine in the expression, but it is careless country talk. Homeliness is almost as great a merit in a book as in a house, if the reader would abide there. It is next to beauty, and a very high art. Some have this merit only.”
—Henry David Thoreau (1817–1862)
“In rhetoric, this art of omission is a chief secret of power, and, in general, it is proof of high culture to say the greatest matters in the simplest way.”
—Ralph Waldo Emerson (1803–1882)
“Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened to them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.”
—A. Alvarez (b. 1929)