Setting
Hey Arnold! takes place in the fictional American city of Hillwood. Craig Bartlett stated in an interview that the city on the show is based on large northern cities, which includes Seattle (his hometown), Portland, Oregon (where he went to art school) and New York City (from which many landmarks were borrowed), also with references to Nashville, TN Grand Ole Opry; as well as Hawk Mountain near Allentown, PA, as mentioned in the Sally's Comet Episode. Bartlett, having grown up in Seattle, bases many of the show's events on his own experience growing up in the city. The Pig War mentioned in the episode with the same title took place on the boundary between what is now the State of Washington and British Columbia. Evan Levine of the Houston Chronicle commented "With its backdrop of dark streets, nighttime adventures and run-down buildings, all seen from a child's point of view, the series combines a street-smart attitude with a dark comic edge."
Read more about this topic: Hey Arnold!
Famous quotes containing the word setting:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (18171862)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)