Hermione Granger - in Popular Culture

In Popular Culture

Hermione has been parodied in numerous sketches and animated series. In Saturday Night Live, Hermione was played by Lindsay Lohan. On his show Big Impression, Alistair McGowan did a sketch called "Louis Potter and the Philosopher's Scone". It featured impressions of Nigella Lawson as Hermione. In 2003, Comic Relief performed a spoof story called Harry Potter and the Secret Chamberpot of Azerbaijan, in which Miranda Richardson, who plays Rita Skeeter in the Harry Potter movies, featured as Hermione. Hermione also features in the Harry Bladder sketches in All That, in which she appears as Herheiny and is portrayed by Lisa Foiles. The Wedge, an Australian sketch comedy, parodies Hermione and Harry in love on a "Cooking With..." show before being caught by Snape. Hermione also appears as Hermione Ranger in Harry Podder: Dude Where's My Wand?, a play by Desert Star Theater in Utah, written by sisters Laura J., Amy K. and Anna M. Lewis. In the 2008 American comedy film Yes Man, Allison (played by Zooey Deschanel) accompanies Carl (Jim Carrey) to a Harry Potter-themed party dressed as Hermione.

In Harry Cover, a French comic book parody of the Harry Potter series by the Pierre Veys (subsequently translated in Spanish and English), Hermione appears as Harry Cover's friend Hormone. Hermione also appears in The Potter Puppet Pals sketches by Neil Cicierega, and in the A Very Potter Musical and A Very Potter Sequel musicals by StarKid Productions played by Bonnie Gruesen. Her only solo song is "The Coolest Girl" in which she sings about herself.

Read more about this topic:  Hermione Granger

Famous quotes containing the words popular and/or culture:

    If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work
    C. John Sommerville (20th century)

    To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.
    Michael Harrington (1928–1989)