Work
One of his foremost works, The Death of Virgil (Der Tod des Vergil) was first published in 1945 simultaneously in its original German and in English translation. Having begun the text as a short radio lecture in 1937, Broch expanded and redeveloped the text over the next eight years of his life, which witnessed a short incarceration in an Austrian prison after the Austrian Anschluss, his flight to Scotland via England, and his eventual exile in the United States. This extensive, difficult novel interweaves reality, hallucination, poetry and prose, and reenacts the last 18 hours of the Roman poet Virgil's life in the port of Brundisium (Brindisi). Here, shocked by the bafefulness (Unheil) of the society he glorifies in his Aeneid, the feverish Virgil resolves to burn his epic, but is thwarted by his close friend and emperor Augustus before he succumbs to his fatal ailment. The final chapter exhibits the final hallucinations of the poet, where Virgil voyages to a distant land at which he witnesses roughly the biblical creation story in reverse.
The French composer Jean Barraqué composed a number of works inspired by The Death of Virgil.
Erich Heller observed that if "The Death of Virgil is his masterpiece... it is a very problematical one, for it attempts to give literary shape to the author's growing aversion to literature. In the very year the novel appeared, Broch confessed to 'a deep revulsion' from literature as such – 'the domain of vanity and mendacity'. Written with a paradoxical, lyrical exuberance, it is the imaginary record of the poet’s last day and his renunciation of poetry. He commands the manuscript of the Aeneid to be destroyed, not because it is incomplete or imperfect but because it is poetry and not 'knowledge'. He even says his Georgics are useless, inferior to any expert treatise on agriculture. His friend the Emperor Augustus undoes his design and his works are saved." (Erich Heller, "Hitler in a very Small Town", New York Times, January 25, 1987.)
Other important works by Broch are The Sleepwalkers (Die Schlafwandler, 1932) and The Guiltless (Die Schuldlosen, 1950). The Sleepwalkers is a trilogy, where Broch takes "the degeneration of values" as his theme. The trilogy has been praised by Milan Kundera, whose writing has been greatly influenced by Broch. Broch demonstrates mastery of a wide range of styles, from the gentle parody of Theodor Fontane in the first volume of The Sleepwalkers through the essayistic segments of the third volume to the dithyrambic phantasmagoria of The Death of Virgil.
Read more about this topic: Hermann Broch
Famous quotes containing the word work:
“Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.”
—Katherine Anne Porter (1890–1980)
“On a huge hill,
Cragged, and steep, Truth stands, and he that will
Reach her, about must, and about must go;
And what the hill’s suddenness resists, win so;
Yet strive so, that before age, death’s twilight,
Thy Soul rest, for none can work in that night.
To will, implies delay, therefore now do:
Hard deeds, the body’s pains; hard knowledge too
The mind’s endeavours reach, and mysteries
Are like the Sun, dazzling, yet plain to all eyes.”
—John Donne (1572–1631)
“To-day ... when material prosperity and well earned ease and luxury are assured facts from a national standpoint, woman’s work and woman’s influence are needed as never before; needed to bring a heart power into this money getting, dollar-worshipping civilization; needed to bring a moral force into the utilitarian motives and interests of the time; needed to stand for God and Home and Native Land versus gain and greed and grasping selfishness.”
—Anna Julia Cooper (1859–1964)