Herbert Stothart - Works

Works

Herbert Stothart is credited as the composer of:

  • Devil-May-Care (1929)
  • Rasputin and the Empress (1932)
  • The Barretts of Wimpole Street (1934)
  • What Every Woman Knows (1934)
  • Anna Karenina (1935)
  • China Seas (1935)
  • David Copperfield (1935 version)
  • Mutiny on the Bounty (1935)
  • Naughty Marietta (musical score only; the songs were by Victor Herbert, Rida Johnson Young, and Gus Kahn) (1935)
  • A Night at the Opera (1935, which also used music by Giuseppe Verdi, Ruggero Leoncavallo, and Nacio Herb Brown, with some lyrics by Arthur Freed)
  • A Tale of Two Cities
  • After the Thin Man (1936)
  • The Good Earth (1937)
  • Idiot's Delight (1939)
  • The Wizard of Oz (Oscar: Best Original Score; songs by E.Y. Harburg and Harold Arlen)
  • Northwest Passage (1940 film by King Vidor)
  • Pride and Prejudice (1940 version)
  • Blossoms in the Dust (1941)
  • Mrs. Miniver (1942)
  • Madame Curie (1943)
  • National Velvet (1944)
  • Thirty Seconds Over Tokyo (1944)
  • Dragon Seed (1944)
  • The White Cliffs of Dover (1944)
  • The Picture of Dorian Gray (1945)
  • They Were Expendable (1945 World War II film by John Ford) (1945)
  • The Green Years (1946)
  • The Yearling (arrangement of Frederick Delius's music) (1946)
  • The Sea of Grass (1947)

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    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
    —Joseph De Maistre (1753–1821)

    “For thou hast made him a little lower than the angels, and hast
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