Works
Herbert Stothart is credited as the composer of:
- Devil-May-Care (1929)
- Rasputin and the Empress (1932)
- The Barretts of Wimpole Street (1934)
- What Every Woman Knows (1934)
- Anna Karenina (1935)
- China Seas (1935)
- David Copperfield (1935 version)
- Mutiny on the Bounty (1935)
- Naughty Marietta (musical score only; the songs were by Victor Herbert, Rida Johnson Young, and Gus Kahn) (1935)
- A Night at the Opera (1935, which also used music by Giuseppe Verdi, Ruggero Leoncavallo, and Nacio Herb Brown, with some lyrics by Arthur Freed)
- A Tale of Two Cities
- After the Thin Man (1936)
- The Good Earth (1937)
- Idiot's Delight (1939)
- The Wizard of Oz (Oscar: Best Original Score; songs by E.Y. Harburg and Harold Arlen)
- Northwest Passage (1940 film by King Vidor)
- Pride and Prejudice (1940 version)
- Blossoms in the Dust (1941)
- Mrs. Miniver (1942)
- Madame Curie (1943)
- National Velvet (1944)
- Thirty Seconds Over Tokyo (1944)
- Dragon Seed (1944)
- The White Cliffs of Dover (1944)
- The Picture of Dorian Gray (1945)
- They Were Expendable (1945 World War II film by John Ford) (1945)
- The Green Years (1946)
- The Yearling (arrangement of Frederick Delius's music) (1946)
- The Sea of Grass (1947)
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Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (1860–1904)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)