Henry Timrod - Criticism and Legacy

Criticism and Legacy

Timrod's friend and fellow poet, Paul Hamilton Hayne, posthumously edited and published The Poems of Henry Timrod, with more of Timrod's more famous poems in 1873, including his "Ode: Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery, Charleston, S.C., 1867" and "The Cotton Boll".

Later critics of Timrod's writings, including Edd Winfield Parks and Guy A. Cardwell, Jr. of the University of Georgia, Jay B. Hubbell of Vanderbilt University and Christina Murphy, who completed a Ph.D. dissertation on Timrod at the University of Connecticut, have indicated that Timrod was one of the most important regional poets of nineteenth-century America and one of the most important Southern poets. In terms of achievement, Timrod is often compared to Sidney Lanier and John Greenleaf Whittier as poets who achieved significant stature by combining lyricism with a poetic capacity for nationalism. All three poets also explored the heroic ode as a poetic form.

Today, Timrod's poetry is included in most of the historical anthologies of American poetry, and he is regarded as a significant-though secondary-figure in 19th-century American literature.

In 1901, a monument with a bronze bust of Timrod was dedicated in Charleston. Perhaps a greater honor was given to him when the state's General Assembly passed a resolution in 1911 instituting the verses of his poem "Carolina" as the lyrics of the official state anthem.

In September 2006, an article for The New York Times noted similarities between Bob Dylan's lyrics in the album, Modern Times and the poetry of Timrod. A wider debate developed in The Times as to the nature of "borrowing" within the folk tradition and in literature.