Censor
Since Herbert was responsible for licensing and also censoring plays, he had a powerful influence on English drama for two decades, 1623-42. Herbert had barely gained the official position of master in 1641 when the theatres were closed at the start of the English Civil War in August 1642. Herbert retained the office throughout the time it was dormant, down to the re-opening of the theatres at the Restoration in 1660. When Charles II allowed Thomas Killigrew and Sir William Davenant to form two theatre companies under royal patronage, the King's Company and the Duke's Company, in August 1660, Herbert complained bitterly at what he perceived as the violation of his rights, and started court actions; he was especially irate with Davenant, who had carried on clandestine theatrical performances in the 1656-60 period, without Herbert benefitting. Over the next two years, Herbert's claims were adjusted and the two royal companies had their privileges renewed by royal patent in 1662. Afterward, he was no longer the power in the theatre that he had been before.
Charles I gave the manor of Ribbesford (in whose parish the Borough of Bewdley lies) to his brothers in 1627 and they passed it to him. He was member of Parliament for Bewdley in 1640, but was disabled from sitting by resolution of the Commons in 1642 because he put into execution the king's commission of array. Henry again sat for Bewdley from the Restoration until his death.
Read more about this topic: Henry Herbert (Master Of The Revels)