Career
Gibson's performing career began at the age of seven. He appeared in many stage and theater productions. Gibson made many appearances on Jack Paar's Tonight Show between 1957 and 1962, often reciting his poetry. His career took off when he performed in the Jerry Lewis film The Nutty Professor (1963). Gibson also appeared on The Dick Van Dyke Show, reading the poem "Keep A Goin'", which he turned into a song in the Robert Altman movie Nashville (1975), starring Ned Beatty and Keith Carradine. Gibson appeared in three other films directed by Altman: The Long Goodbye (starring Elliott Gould), A Perfect Couple and Health. He also appeared in The Incredible Shrinking Woman (starring Lily Tomlin). He was nominated for a Golden Globe Award for Nashville and won the National Society of Film Critics award for his role of country music singer Haven Hamilton.
Gibson spent three years as part of the Laugh-In television show's cast, where he was nominated for a Golden Globe in 1971. He often played "The Poet," reciting poems with "sharp satirical or political themes". Gibson would emerge from behind a stage flat, wearing a Nehru jacket and "hippie" beads and holding an outlandishly large artificial flower. He would state the " — by Henry Gibson", bow stiffly from the waist, recite his poem and return behind the flat. Gibson's routine was so memorable that John Wayne actually performed it once in his own inimitable style: "The Sky — by John Wayne. The Sky is blue/The Grass is green/Get off your butt/And join the Marines!", whereupon Wayne left the scene by smashing through the flat. Gibson also regularly appeared in the "Cocktail Party" segments as a Catholic priest, sipping tea. He would put the cup on the saucer, recite his one-liner in a grave and somber tone, then go back to sipping tea. He also made recurring appearances in the 1969-1974 anthology Love, American Style.
In 1980, he appeared on The Dukes Of Hazzard, as Will Jason (Squirt), in the second season episode Find Loretta Lynn. Also in 1980 he played the leader of the 'Illinois Nazis' in the John Landis film The Blues Brothers. Most younger audiences associate him with this film in particular due to its popularity. He made a brief appearance in Paul Thomas Anderson's Magnolia as an eccentric barfly. He also worked frequently as a voice actor in animation, most notably portraying Wilbur the pig in the popular Hanna Barbera children's movie Charlotte's Web (1973)and later worked for them in the cartoon The Biskitts. He also worked on the cartoon The Grim Adventures Of Billy & Mandy as Lord Pain, and on Rocket Power as Merv Stimpleton.
In the 1989 Joe Dante comedy The 'Burbs, starring Tom Hanks, Gibson played the villain. Gibson reunited with director Dante a few years later when Gremlins 2 was released in 1990. He performed a cameo as the office worker who is caught taking a smoking break on camera and fired by the sadistic boss. Guest-starring in Star Trek: Deep Space Nine, he played the Ferengi "Nilva" in the 1998 episode, "Profit and Lace".
He had a leading role in a Season 5 episode of Stargate SG-1 entitled "The Sentinel", as the character Marul. Gibson's last major roles were alongside Owen Wilson and Vince Vaughn in the 2005 comedy hit Wedding Crashers, and as supporting character Judge Clark Brown on the TV show Boston Legal.
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Famous quotes containing the word career:
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
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“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
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““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)