Works
Lyte's first composition was Tales in Verse illustrative of Several of the Petitions in the Lord's Prayer (1826), written at Lymington and commended by John Wilson in the Noctes Ambrosianae. Lyte next published Poems, chiefly Religious (1833), and in 1834, a small collection of psalms and hymns entitled The Spirit of the Psalms. After his death, a volume of Remains (1850) with a memoir was issued, and the poems contained in this, with those in Poems, chiefly Religious, were afterward published in one volume (1868). Three of Lyte's best-known hymns are paraphrases of psalms, published in The Spirit of the Psalms: “Praise, my soul, the King of heaven” (Psalm 103), “God of Mercy, God of Grace” (Psalm 67), and “Pleasant are thy courts above” (Psalm 84).
Lyte's best known hymns are:
- Abide with me! fast falls the eventide
- Jesus, I my cross have taken
- Praise, my soul, the King of Heaven
- Pleasant are Thy courts above.
- Agnes.
Of these hymns, "Abide With Me" is the best known. According to the traditional story given in the Remains, Lyte wrote it a few hours after conducting the final service at his church, which was probably 5 September 1847. More likely the hymn was actually written in July or August of that year. Lyte himself created for the hymn what his biographer has disparaged as "a dull tune." When Hymns Ancient and Modern was published in 1861, the editor, William H. Monk—whose three-year-old daughter had just died—composed his own tune, "Eventide," for Lyte's poem. The hymn became a favorite of George V and George VI and was sung at the former's funeral. The hymn also inspired Field Marshal Herbert Kitchener and General Charles "Chinese" Gordon, and it was said to have been on the lips of Edith Cavell as she faced a German firing squad. "Abide with Me" has been sung at the FA Cup finals since 1927 when the association secretary substituted the hymn for the playing of "Alexander's Ragtime Band."
Read more about this topic: Henry Francis Lyte
Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)