Henrik Ibsen - Works

Works

  • 1850 Catiline (Catilina)
  • 1850 The Burial Mound also known as The Warrior's Barrow (Kjæmpehøjen)
  • 1851 Norma (Norma)
  • 1852 St. John's Eve (Sancthansnatten)
  • 1854 Lady Inger of Oestraat (Fru Inger til Østeraad)
  • 1855 The Feast at Solhaug (Gildet paa Solhaug)
  • 1856 Olaf Liljekrans (Olaf Liljekrans)
  • 1857 The Vikings at Helgeland (Hærmændene paa Helgeland)
  • 1862 Digte - only released collection of poetry, included "Terje Vigen".
  • 1862 Love's Comedy (Kjærlighedens Komedie)
  • 1863 The Pretenders (Kongs-Emnerne)
  • 1866 Brand (Brand)
  • 1867 Peer Gynt (Peer Gynt)
  • 1869 The League of Youth (De unges Forbund)
  • 1873 Emperor and Galilean (Kejser og Galilæer)
  • 1877 Pillars of Society (Samfundets Støtter)
  • 1879 A Doll's House (Et Dukkehjem)
  • 1881 Ghosts (Gengangere)
  • 1882 An Enemy of the People (En Folkefiende)
  • 1884 The Wild Duck (Vildanden)
  • 1886 Rosmersholm (Rosmersholm)
  • 1888 The Lady from the Sea (Fruen fra Havet)
  • 1890 Hedda Gabler (Hedda Gabler)
  • 1892 The Master Builder (Bygmester Solness)
  • 1894 Little Eyolf (Lille Eyolf)
  • 1896 John Gabriel Borkman (John Gabriel Borkman)
  • 1899 When We Dead Awaken (Når vi døde vaagner)

Read more about this topic:  Henrik Ibsen

Famous quotes containing the word works:

    Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.
    Henry David Thoreau (1817–1862)

    Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.
    bell hooks (b. c. 1955)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)