Contrast With Quadruplex Recording
Helical scanning was a logical progression beyond an earlier system (pioneered by Ampex) known as quadruplex recording, also referred to as transverse recording. In this scheme, the rotating head drum ran essentially perpendicular to a 2-inch-wide (51 mm) tape, and the slices recorded across the tape were nearly perpendicular to the tape's motion. U.S. quadruplex systems revolved the head drum at 14,400 revolutions per minute (240 revolutions per second) with four heads on the drum so that each television field was broken into sixteen stripes on the tape (which required appropriately complex head-switching logic). By comparison, the longer stripe recorded by a helical scan recorder usually contains an entire TV field and the two-headed head drum spins at the frame rate (half the field rate) of the TV system in use.
Recording an entire field in a single pass allowed these machines to play back a viewable still frame when the tape was stopped, and display a viewable image sequence while shuttling forwards or backwards. This greatly facilitated the editing process. The quadruplex systems were unable to display video from tape except while playing at normal speed.
Read more about this topic: Helical Scan
Famous quotes containing the words contrast with, contrast and/or recording:
“Happiness aint a thing in itselfits only a contrast with something that aint pleasant.... And so, as soon as the novelty is over and the force of the contrast dulled, it aint happiness any longer, and you have to get something fresh.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Unlike Boswell, whose Journals record a long and unrewarded search for a self, Johnson possessed a formidable one. His life in Londonhe arrived twenty-five years earlier than Boswellturned out to be a long defense of the values of Augustan humanism against the pressures of other possibilities. In contrast to Boswell, Johnson possesses an identity not because he has gone in search of one, but because of his allegiance to a set of assumptions that he regards as objectively true.”
—Jeffrey Hart (b. 1930)
“I didnt have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, lets say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (18911980)