Alternate Productions, Tribute and Parody
An operatic adaptation of the play has been produced by Shanghai's Hangzhou XiaoBaiHua Yue Opera House.
An adaptation with a lesbian relationship was staged in Philadelphia in 2009 by Mauckingbird Theatre Company.
A turkey living in Morningside Park, New York City, was named Hedda Gobbler.
A prostitute in the feature film Tristram Shandy: A Cock and Bull Story is named Hedda Gobbler.
The 2009 album Until the Earth Begins to Part by Scottish folk indie-rock band Broken Records features a song, "If Eilert Løvborg Wrote A Song, It Would Sound Like This".
John Cale, Welsh musician and founder of American rock band The Velvet Underground, recorded a song "Hedda Gabler" in 1976, included originally on the 1977 EP Animal Justice (now a bonus track on the CD of the album Sabotage). He performed the song live in London (5 March 2010) with a band and a 19 piece orchestra in his Paris 1919 tour. The song was covered by the British neofolk band Sol Invictus for the 1995 compilation Im Blutfeuer (Cthulhu Records) and later included as a bonus track on the 2011 reissue of the Sol Invictus album In The Rain.
The Norwegian hard-rock band Black Debbath recorded the song "Mötorhedda Gabler" on their Ibsen-inspired album Naar Vi Døde Rocker ("When We Dead Rock").
The original play Heddatron by Elizabeth Meriwether melds Hedda Gabler with a modern family’s search for love despite the invasion of technology into everyday life.
Read more about this topic: Hedda Gabler
Famous quotes containing the words alternate, tribute and/or parody:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“His meter was bitter, and ironic and spectacular and inviting: so was life. There wasn’t much other life during those times than to what his pen paid the tribute of poetic tragic glamour and offered the reconciliation of the familiarities of tragedy.”
—Zelda Fitzgerald (1900–1948)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)