Stylistic Variants
Further information: Cursive Hebrew, Rashi script, Ashuri alphabet, and History of the Hebrew alphabetThe following table displays typographic and chirographic variants of each letter. For the five letters that have a different final form used at the end of words, the final forms are displayed beneath the regular form.
The three lettering variants currently in use are block, cursive and Rashi. Block and Rashi are used in books. Block lettering dominates, with Rashi lettering typically used for certain editorial inserts (as in the glosses of Isserles to the Shulchan Aruch) or biblical commentaries (as in the commentary of Rashi) in various standard literary works. Cursive is used almost exclusively when handwriting, unless block lettering is desired for stylistic purposes (as in signage).
Letter name (Unicode) |
Variants | |||||||
---|---|---|---|---|---|---|---|---|
Modern Hebrew | Ancestral | |||||||
Alef | א | א | א | |||||
Bet | ב | ב | ב | |||||
Gimel | ג | ג | ג | |||||
Dalet | ד | ד | ד | |||||
He | ה | ה | ה | |||||
Vav | ו | ו | ו | |||||
Zayin | ז | ז | ז | |||||
Het | ח | ח | ח | |||||
Tet | ט | ט | ט | |||||
Yod | י | י | י | |||||
Kaf | כ | כ | כ | |||||
Final Kaf | ך | ך | ך | |||||
Lamed | ל | ל | ל | |||||
Mem | מ | מ | מ | |||||
Final Mem | ם | ם | ם | |||||
Nun | נ | נ | נ | |||||
Final Nun | ן | ן | ן | |||||
Samekh | ס | ס | ס | |||||
Ayin | ע | ע | ע | |||||
Pe | פ | פ | פ | |||||
Final Pe | ף | ף | ף | |||||
Tsadi | צ | צ | צ | , | ||||
Final Tsadi | ץ | ץ | ץ | |||||
Qof | ק | ק | ק | |||||
Resh | ר | ר | ר | |||||
Shin | ש | ש | ש | |||||
Tav | ת | ת | ת |
Read more about this topic: Hebrew Alphabet
Famous quotes containing the words stylistic and/or variants:
“Simile and Metaphor differ only in degree of stylistic refinement. The Simile, in which a comparison is made directly between two objects, belongs to an earlier stage of literary expression; it is the deliberate elaboration of a correspondence, often pursued for its own sake. But a Metaphor is the swift illumination of an equivalence. Two images, or an idea and an image, stand equal and opposite; clash together and respond significantly, surprising the reader with a sudden light.”
—Sir Herbert Read (18931968)
“Nationalist pride, like other variants of pride, can be a substitute for self-respect.”
—Eric Hoffer (19021983)