Critical Reception
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | |
The A.V. Club | Favourable |
Pitchfork Media | 9.0/10 |
Rolling Stone |
The album was considered to be a fresh start for Ryan Adams after the demise of his previous band Whiskeytown. Allmusic's Mark Derning wrote that the album "is loose, open, and heartfelt in a way Whiskeytown's admittedly fine albums never were, and makes as strong a case for Adams' gifts as anything his band ever released", concluding that "the strength of the material and the performances suggest Adams is finally gaining some much-needed maturity, and his music is all the better for it." A.V. Club's Keith Phipps wrote: "Adams has recorded an intimate, largely quiet record that indisputably establishes his identity as an independent singer-songwriter". Pitchfork Media's Steven Byrd called it "an album of astonishing musical proficiency, complete honesty and severe beauty.". Rolling Stone's Anthony Decurtis was less enthusiastic, stating that "Adams' songs too often fail to rise above their plain-spoken details to take on the symbolic power he yearns for".
Read more about this topic: Heartbreaker (Ryan Adams album)
Famous quotes containing the words critical and/or reception:
“Much of what contrives to create critical moments in parenting stems from a fundamental misunderstanding as to what the child is capable of at any given age. If a parent misjudges a childs limitations as well as his own abilities, the potential exists for unreasonable expectations, frustration, disappointment and an unrealistic belief that what the child really needs is to be punished.”
—Lawrence Balter (20th century)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)