Criticism
Hawaiian Studies has always been opposed by different elements. Proponents of Hawaiian Studies feel that this is a reactionary movement from the right. They point out the rise of the conservative movement in the United States during the 1990s which saw the discipline come increasingly under attack. For proponents, the backlash is characterised as an attempt to preserve "traditional values" of Western culture, symbolized by the United States. For some critics, this actually is a slant by the proponents to disparage criticism by false association to right wing ideology. They have no objection about Hawaiian culture being legitimate topics of academic research. What they object to is the current state of Ethnic Studies which they see as characterised by excessive left wing political ideology or Hawaiian claims to justice which, in their view, greatly undermined the scholarly validity of the research. However, Hawaiian Studies has been accused of promoting "racial separatism", "linguistic isolation" and "racial preference".
Hawaiian Studies has suffered most criticism by attorney William Burgess and retired high school mathematics teacher Kenneth Conklin. Their criticism is political and aimed at Hawaiian claims to justice and has never really attacked the actual scholarship of Hawaiian Studies scholars.
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Famous quotes containing the word criticism:
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)