Harvey Brooks - Blues-rock and Jazz Fusion Era

Blues-rock and Jazz Fusion Era

It was through his participation in The Electric Flag, an extension of Michael Bloomfield and Barry Goldberg's interests in blues, that Brooks' career took an unexpected turn. The Flag only lasted in its original line-up for about a year, and much of that time was spent recording a sound track album to the film The Trip starring Peter Fonda, Dennis Hopper, Susan Strasberg & written by Jack Nicholson and "The Electric Flag, An American Music Band." But in the course of this, Brooks became a producer at Columbia Records and connected with fellow producer Teo Macero who led him to Miles Davis.

Working with Davis involved Brooks in a freer manner of making music than he'd been used to even on the most ambitious sessions with Bloomfield, though it also meant butting up against Davis' ego, personality, and musical sensibilities as a bandleader. Brooks worked with the legendary jazz trumpeter long enough to contribute to the Bitches Brew and Big Fun albums as well as several unreleased tracks. On these sessions two bassist were used; Brooks played electric bass while Dave Holland simultaneously played the acoustic bass. From that point on — between the Dylan, Davis, Electric Flag, and Bloomfield and Kooper connections — Brooks' career was made.

Read more about this topic:  Harvey Brooks

Famous quotes containing the words jazz, fusion and/or era:

    It seems to me monstrous that anyone should believe that the jazz rhythm expresses America. Jazz rhythm expresses the primitive savage.
    Isadora Duncan (1878–1927)

    Sadism and masochism, in Freud’s final formulation, are fusions of Eros and the destructive instincts. Sadism represents a fusion of the erotic instincts and the destructive instincts directed outwards, in which the destructiveness has the character of aggressiveness. Masochism represents the fusion of the erotic instincts and the destructive instincts turned against oneself, the aim of the latter being self-destruction.
    Patrick Mullahy (b. 1912)

    The fantasies inspired by TB in the last century, by cancer now, are responses to a disease thought to be intractable and capricious—that is, a disease not understood—in an era in which medicine’s central premise is that all diseases can be cured.
    Susan Sontag (b. 1933)