Harvest Records Discography - History

History

Harvest Records was created by EMI in 1969 to market progressive rock music and to compete with Philips' Vertigo and Decca's Deram labels, initially under the direction of Malcolm Jones and Norman Smith. Harvest was distributed in North America by EMI's US arm, Capitol Records. Harvest was the European licensee for the American label Blue Thumb Records from 1969 to 1971.

Harvest Records' focus changed slightly as the 1970s drew to a close, beginning with the signing of post-punk groups Wire, The Saints and The Banned. New Wave artists Thomas Dolby and Duran Duran released their debut albums on the label in North America. Iron Maiden's first three albums were also released in the US by Harvest Records. Pink Floyd switched to Capitol after the release of The Final Cut in 1983.

In the United States, Capitol initially treated Harvest as a separate label that they expected big sales from. After only a few issues, they had few sales to show for their effort and consequently only issued a few Harvest releases and numbered them within their standard Capitol LP series (mostly using Harvest for Pink Floyd releases). After this initial short-lived series, Capitol passed on most of the UK Harvest artists. In 1975, Harvest began a reissue sub-label named Harvest Heritage. This new label largely compiled material that had been previously released on Harvest from 1969 onward. However, Harvest Heritage also reissued music from late 1960s EMI bands that had never recorded for Harvest, such as The Gods, Love Sculpture and Tomorrow.

Harvest Heritage also occasionally released new music, such as Video Flashback, an album by German composer Eberhard Schoener, and Four Rock 'n' Roll Legends, a recording of a 1977 concert by rockabilly veterans Charlie Feathers, Buddy Knox, Jack Scott and Warren Smith.

Capitol Records announced its relaunch of Harvest Records on February 25, 2013, with former Warner Bros. Records and Dangerbird Records executive Piero Giramonti at the helm. Giramonti is tasked with running Harvest Records as an independent label, with the support of Capitol Records and Caroline Distribution for distribution, radio promotion and licensing.

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