Recording
The recording of Harvest was notable for the spontaneous and serendipitous way it came together. The story is told in an article in Acoustic Guitar Magazine, which includes interviews with producer Elliot Mazer, among others.
Young arrived in Nashville in 1971 to perform on a broadcast of Johnny Cash Show where Linda Ronstadt and James Taylor would also appear. Mazer had opened Quadrofonic Sound Studios in Nashville, and invited Young to dinner on Saturday, February 6, to convince him to record his next project at the studio. Neil admired the work of the local studio musicians known as Area Code 615 who had recorded there and was interested. Young had been working on new songs that he had been performing on the road, as seen by the repertoire on Live at Massey Hall 1971, and told Mazer that all he needed was a bassist, drummer, and pedal steel guitarist. Young made the decision to start recording that very evening.
Since many of the Area Code 615 musicians were working on a Saturday night, Mazer scrambled to find drummer Kenny Buttrey, bassist Tim Drummond (who was just walking down the street), and steel-guitarist Ben Keith. That night, they laid down the basic tracks for "Heart of Gold", "Old Man", "Harvest", and "Dance Dance Dance," with the latter being left off the album but showing up that year on the debut Crazy Horse album. Session musicians Andy McMahon and John Harris were later brought in to play piano on "Old Man" and "Harvest", respectively, and Teddy Irwin added the second acoustic guitar on "Heart of Gold".
After taping the Johnny Cash Show on Sunday night, Young invited Ronstadt and Taylor to come back to the studio with him. The three sat on a couch and recorded the background vocals for "Heart of Gold" and "Old Man." Taylor picked up Young's Banjo guitar (a six-string banjo tuned like a guitar) and overdubbed a part for the latter song.
"Bad Fog of Loneliness" and "Journey Through the Past" were recorded during these sessions as per their appearance on Young's The Archives Vol. 1 1963-1972, which lists the same musicians in the credits including Harris on "Journey" and Ronstadt and Taylor on "Bad Fog". "Journey Through the Past" was released in a solo piano form on Time Fades Away, and "Bad Fog of Loneliness" remained unreleased on compact disc until Live at Massey Hall 1971 in 2007 (though it was included on Young's live "Red Rocks" DVD released in the year 2000).
The electric-based songs were recorded in a barn at Young's ranch in California. Using a remote recording system, Mazer set up PA speakers in the barn for monitors rather than have the players wear headphones. This resulted in a lot of "leakage" of each microphone picking up sound from other instruments, but it resulted in a sound that Young and Mazer liked. "Are You Ready for the Country", "Alabama", and "Words" were recorded in these sessions with Buttrey, Drummond, Keith, along with Jack Nitzsche on piano and lap steel. Young named this band The Stray Gators, which would accompany him on his tour in the winter of 1973.
"A Man Needs a Maid" and "There's a World" were recorded by Nitzsche with the London Symphony Orchestra, and "The Needle and the Damage Done" was taken from a live performance at UCLA. Background vocals by Crosby, Stills & Nash were recorded by Mazer in New York.
Mixing was done at both Quadrofonic and at Young's house. During playback at the ranch, Mazer ran the left channel into the PA speakers still in the barn and the right channel into speakers in the house. With Crosby and Nash beside him Young sat outside listening to the mix. When asked about the stereo balance, he called out, "More barn."
According to a Rolling Stone interview, Young had wanted the album sleeve to biodegrade after the shrink-wrap was broken, but was overruled by the record company on the basis of expense and the possible product loss due to shipping accidents.. Mo Ostin mentioned Young's request at the 22nd annual ASCAP pop music awards
Read more about this topic: Harvest (Neil Young album)
Famous quotes containing the word recording:
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)