Flashman's Origins
Fraser gave Flashman a lifespan from 1822 to 1915 and a birth-date of 5 May. Flashman's first and middle names were created for the character as Flashman's first name is not given in Hughes's novel. Fraser uses them to make an ironic allusion to Henry Paget, 1st Marquess of Anglesey, and one of the heroes of Waterloo, who cuckolded the Duke of Wellington's brother Henry Wellesley and later - in one of the period's more celebrated scandals - married Wellesley's ex-wife.
In Flashman, Flashman says that the family fortune was made by his great-grandfather, Jack Flashman, in America trading in rum, slaves and "piracy too, I shouldn't wonder." Despite their wealth, the Flashmans "were never the thing": Flashman quotes the diarist Henry Greville's comment that "the coarse streak showed through, generation after generation, like dung beneath a rosebush." His father, Henry Buckley Flashman, appears in Black Ajax (1997). Buckley, a bold young officer in the British cavalry, was wounded in action at Talavera in 1809. He then tried to get into "society" by sponsoring bare-knuckle boxer Tom Molineaux (the first black man to contend for a championship) and subsequently married Flashman's mother Lady Alicia Paget, a fictional relation of the real Marquess of Anglesey. Buckley also served as a Member of Parliament but was "sent to the knacker's yard at Reform". Beside politics, his interests were drinking, fox hunting (riding to hounds) and women.
Read more about this topic: Harry Paget Flashman
Famous quotes containing the word origins:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)