Themes in His Work
A frequent theme in his work is the Second World War. His father had worked for the Germans during the war and went to prison for three years afterwards. As the war spanned most of Mulisch's formative phase, it had a defining influence on his life and work. In 1963, he wrote a non-fiction work about the Eichmann case: Criminal Case 40/61. Major works set against the backdrop of the Second World War are De Aanslag (The Assault), Het stenen bruidsbed, and Siegfried, the latter an attempt to examine why so many Germans responded to Hitler's charisma
Mulisch often incorporated ancient legends or myths in his writings, drawing on Greek mythology (e.g. in De Elementen), Jewish mysticism (in De ontdekking van de Hemel and De Procedure), well known urban legends and politics (Mulisch was politically left-wing, once signing a book "dedicated in admiration" to Fidel Castro). Mulisch's works are widely read.
In 1984 he delivered the Huizinga Lecture in Leiden, The Netherlands, under the title: Het Ene (the unifying principle).
Read more about this topic: Harry Mulisch
Famous quotes containing the words themes and/or work:
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shiite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“... anybody is as their land and air is. Anybody is as the sky is low or high, the air heavy or clear and anybody is as there is wind or no wind there. It is that which makes them and the arts they make and the work they do and the way they eat and the way they drink and the way they learn and everything.”
—Gertrude Stein (18741946)