Harry Levin - Works

Works

  • The Broken Column (1931), Harvard undergraduate essay published by Cambridge UP
  • Ben Jonson, Selected Works (1938) editor
  • James Joyce: A Critical Introduction (1941)
  • Toward Stendhal (1945)
  • The Portable James Joyce (1947) editor
  • Toward Balzac (1947)
  • Perspectives of Criticism (1950) editor
  • The overreacher, a study of Christopher Marlowe (1952)
  • Symbolism and Fiction (1956)
  • Contexts of Criticism (1957)
  • The Power of Blackness: Hawthorne, Poe, Melville (1958)
  • The Question of Hamlet (1959)
  • Irving Babbitt and the Teaching of Literature (1960) Inaugural Lecture
  • The Scarlet Letter and other Tales of the Puritans by Nathaniel Hawthorne (1961) editor
  • The Gates of Horn: A Study of Five French Realists (1963)
  • The Comedy of Errors (1965) editor
  • Refractions: Essays in Comparative Literature (1966)
  • W
  • Playboys and Killjoys: An Essay on the Theory and Practice of Comedy (1988)

Read more about this topic:  Harry Levin

Famous quotes containing the word works:

    Great works constructed there in nature’s spite
    For scholars and for poets after us,
    Thoughts long knitted into a single thought,
    A dance-like glory that those walls begot.
    William Butler Yeats (1865–1939)

    Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.
    Mary Baker Eddy (1821–1910)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)