Harry Crosby - Works

Works

  • Sonnets for Caresse. (1925) Paris, Herbert Clarke.
  • Sonnets for Caresse. (1926) 2nd Edition. Paris, Herbert Clarke.
  • Sonnets for Caresse. (1926) 3rd Edition. Paris, Albert Messein.
  • Sonnets for Caresse. (1927) 4th Edition. Paris, Editions Narcisse.
  • Red Skeletons. (1927) Paris, Editions Narcisse.
  • Hindu Love Manual (1928) 20 copies
  • Chariot of the Sun. (1928) Paris, At the Sign of the Sundial.
  • Shadows of the Sun. (1928) Paris, Black Sun Press.
  • Transit of Venus. Volume 1 .(1928) Paris, Black Sun Press.
  • Transit of Venus. Volume 2. (1929) Paris, Black Sun Press. 1929 (500 copies printed)
  • Mad Queen. (1929) Paris, Black Sun Press.
  • Shadows of the Sun-Series Two. (1929) Paris, Black Sun Press.
  • The Sun. (1929) Paris, Black Sun Press.
  • Sleeping Together. (1929) Paris, Black Sun Press. (500 copies printed)
  • A Sentimental Journey Through France and Italy Laurence Sterne, (1929) Paris, illus. by Polia Chentoff 400 copies
  • Shadows of the Sun-Series Three. (1930) Paris, Black Sun Press.
  • Aphrodite in Flight: Being Some Observations on the Aerodynamics of Love. (1930 Paris, Black Sun Press.
  • Collected Poems of Harry Crosby. (4 Volumes). (1931-32) Paris, Black Sun Press.
  • War Letters. Preface by Henrietta Crosby. (1932) Paris, Black Sun Press.

Read more about this topic:  Harry Crosby

Famous quotes containing the word works:

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)

    “It’s an old trick now, God knows, but it works every time. At the very moment women start to expand their place in the world, scientific studies deliver compelling reasons for them to stay home.”
    —Mary Kay Blakely (20th century)

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)