Black Sun Press
In April, 1927, they founded an English language publishing company, first called Éditions Narcisse, after their black whippet, Narcisse Noir. They used the press as an avenue to publish their own poetry in small editions of finely made, hard-bound volumes.
They printed limited quantities of meticulously produced, hand-manufactured books, printed on high-quality paper. Publishing in Paris during the 1920s and 1930s put the company at the crossroads of many American writers who were living abroad. In 1928, as Éditions Narcisse, they printed a limited edition of 300 numbered copies of "The Fall of the House of Usher" by Edgar Allan Poe with illustrations by Alastair.
In 1928, they found they enjoyed the reception their initial works received, and decided to expand the press to serve other authors, renaming the company the Black Sun Press, following on Harry's obsession on the symbolism of the sun. The press rapidly gained notice for publishing beautifully bound, typographically flawless editions of unusual books. They took exquisite care with the books they published, choosing the finest papers and inks.
They published early works of a number of writers before they were well known, including James Joyce's Tales Told of Shem and Shaun (which was later integrated into Finnegans Wake. They published Kay Boyle's first book-length work, Short Stores, in 1929. and works by Hart Crane, D. H. Lawrence, Ezra Pound, Archibald MacLeish, Ernest Hemingway, Laurence Sterne, and Eugene Jolas. The Black Sun Press evolved into one of the most important small presses in Paris in the 1920s. After Harry died in a suicide pact with one of his many lovers, Caresse Crosby continued publishing into the 1940s.
Read more about this topic: Harry Crosby
Famous quotes containing the words black, sun and/or press:
“I respect the ways of old folks, but the blood of a rooster or a goat cannot turn the seasons, change the course of the clouds and fill them up with water like bladders. The other night, at the ceremony for Legba, I danced and sang my fill: I am a black man, no? and I enjoyed it like a true Negro should. When the drums beat, I feel it in the pit of my stomach, I feel the itch in my hips and up and down my legs, I have got to join the party. But that is all.”
—Jacques Roumain (1907–1945)
“There is not a more disgusting spectacle under the sun than our subserviency to British criticism. It is disgusting, first, because it is truckling, servile, pusillanimous—secondly, because of its gross irrationality. We know the British to bear us little but ill will—we know that, in no case do they utter unbiased opinions of American books ... we know all this, and yet, day after day, submit our necks to the degrading yoke of the crudest opinion that emanates from the fatherland.”
—Edgar Allan Poe (1809–1845)
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—H.L. (Henry Lewis)