The Old Speech Room Gallery & Museum is located in the Old Speech Room, which was built in 1819-1821 as a room to encourage public speaking. The gallery was opened in 1976 to house the School's collections, which include Egyptian and Greek antiquities, English watercolours, Modern British paintings, books and natural history artefacts. There is a set of gilt Easter eggs created by contemporary gold and silversmith Stuart Devlin, which have been designed in the tradition of Fabergé eggs and include surprise interiors. There are also some sculptures, including portrait busts of such Old Harrovians as Richard Brinsley Sheridan and Lord Byron.
The paintings include Sir Winston Churchill's A Distant View of Venice, 1929. Other artists include George Romney, David Jones, Victor Pasmore and Richard Shirley Smith.
The Museum hosts themed exhibits from its collections. Admission is free.
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Famous quotes containing the words speech, room, gallery and/or museum:
“When toddlers are unable to speak about urgent matters, they must resort to crying or screaming. This happens even with adults. The voice is the carrier of emotion, and when speech fails us, we need to cry out in whatever form we can to convey our meaning. Often, what passes for negativism is really the toddler’s desperate effort to make herself understood.”
—Alicia F. Lieberman (20th century)
“... the only way in which Mr. Brooke could be coerced into thinking of the right arguments at the right time was to be well plied with them till they took up all the room in his brain. But here there was the difficulty of finding room, so many things having been taken in beforehand. Mr. Brooke himself observed that his ideas stood rather in his way when he was speaking.”
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“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“[A] Dada exhibition. Another one! What’s the matter with everyone wanting to make a museum piece out of Dada? Dada was a bomb ... can you imagine anyone, around half a century after a bomb explodes, wanting to collect the pieces, sticking it together and displaying it?”
—Max Ernst (1891–1976)