Work
His first book, Never Love a Stranger (1948), caused controversy with its graphic sexuality.
The Dream Merchants (1949) was a novel about the American film industry, from its beginning to the sound era. Again Robbins blended his own experiences, historical facts, melodrama, sex, and action into a fast-moving story.
His 1952 novel, A Stone for Danny Fisher, was adapted into a 1958 motion picture King Creole, which starred Elvis Presley.
Among his best-known books is The Carpetbaggers – loosely based on a composite of Howard Hughes, Bill Lear, Harry Cohn, and Louis B. Mayer – taking the reader from New York to California, from the prosperity of the aeronautics|aeronautical industry to the glamour of Hollywood. Its sequel, The Raiders, was released in 1995.
Since his death, several new books have been published, written by ghostwriters and based on Robbins's own notes and unfinished stories. On several of these final books, Junius Podrug has been credited as co-writer.
From the Hodder & Stoughton 2008 edition of The Carpetbaggers About the author section:
Robbins was the playboy of his day and a master of publicity. He was a renowned novelist but tales of his own life contain even more fiction than his books. What is known is that with reported worldwide sales of 750m, Harold Robbins sold more books than J.K. Rowling, earned and spent $50m during his lifetime, and was as much a part of the sexual and social revolution as the pill, Playboy and pot. In March 1965, he had three novels on the British paperback bestseller list – Where Love Has Gone at No.1, The Carpetbaggers at No.3 and The Dream Merchants in the sixth spot.
His widow, Jann Robbins, has republished 12 of his most famous titles with AuthorHouse Publishing.
Read more about this topic: Harold Robbins
Famous quotes containing the word work:
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)
“The most fitting monuments this nation can build are schoolhouses and homes for those who do the work of the world. It is no answer to say that they are accustomed to rags and hunger. In this world of plenty every human being has a right to food, clothes, decent shelter, and the rudiments of education.”
—Elizabeth Cady Stanton (1815–1902)
“Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.”
—Nadine Gordimer (b. 1923)