Work
His first book, Never Love a Stranger (1948), caused controversy with its graphic sexuality.
The Dream Merchants (1949) was a novel about the American film industry, from its beginning to the sound era. Again Robbins blended his own experiences, historical facts, melodrama, sex, and action into a fast-moving story.
His 1952 novel, A Stone for Danny Fisher, was adapted into a 1958 motion picture King Creole, which starred Elvis Presley.
Among his best-known books is The Carpetbaggers – loosely based on a composite of Howard Hughes, Bill Lear, Harry Cohn, and Louis B. Mayer – taking the reader from New York to California, from the prosperity of the aeronautics|aeronautical industry to the glamour of Hollywood. Its sequel, The Raiders, was released in 1995.
Since his death, several new books have been published, written by ghostwriters and based on Robbins's own notes and unfinished stories. On several of these final books, Junius Podrug has been credited as co-writer.
From the Hodder & Stoughton 2008 edition of The Carpetbaggers About the author section:
Robbins was the playboy of his day and a master of publicity. He was a renowned novelist but tales of his own life contain even more fiction than his books. What is known is that with reported worldwide sales of 750m, Harold Robbins sold more books than J.K. Rowling, earned and spent $50m during his lifetime, and was as much a part of the sexual and social revolution as the pill, Playboy and pot. In March 1965, he had three novels on the British paperback bestseller list – Where Love Has Gone at No.1, The Carpetbaggers at No.3 and The Dream Merchants in the sixth spot.
His widow, Jann Robbins, has republished 12 of his most famous titles with AuthorHouse Publishing.
Read more about this topic: Harold Robbins
Famous quotes containing the word work:
“Every work of art should give utterance, or indicate, the awful blind strength and the cruelty of the creative impulse, that is why they must all have what are called errors, both of taste and style.”
—Christina Stead (1902–1983)
“Does Job fear God for nothing? Have you not put a fence around him and his house and all that he has, on every side? You have blessed the work of his hands, and his possessions have increased in the land. But stretch out your hand now, and touch all that he has, and he will curse you to your face.””
—Bible: Hebrew, Job 1:9-11.
Satan to God.
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)