Production
Miller cites as an initial inspiration for the film an encounter with a grizzled old camera-man, whose father was Frank Hurley of the Shackleton expeditions, during the shooting of Mad Max 2: "We were sitting in this bar, having a milkshake, and he looked across at me and said, ‘Antarctica.’ He’d shot a documentary there. He said, ‘You’ve got to make a film in Antarctica. It’s just like out here, in the wasteland. It’s spectacular.’ And that always stuck in my head.” Happy Feet was also partially inspired by earlier documentaries such as the BBC's Life in the Freezer. In 2001, during an otherwise non-sequiter meeting, Doug Mitchell impulsively presented Warner Bros., studio president Alan Horn with an early rough draft of the film's screenplay, and asked them to read it while he and Miller flew back to Australia. By the time they'd landed, Warner Bros. had decided to provide funding on the film. Production was slated to begin sometime after the completion of the fourth Mad Max film, Fury Road, but geo-political complications pushed Happy Feet to the forefront in early 2003.
An earlier cut of the film seems to have included a large subplot regarding aliens in the extraterrestrial sense, whose presence was made gradually more and more known throughout, and who were planning to siphon off the planet's resources gradually, placing the humans in the same light as the penguins. At the end, through the plight of the main character, their hand is stayed and, instead, first contact is made. This was chopped out during the last year of production, and has yet to see the light of day in a finished form, although concept art from these sequences were showcased at the Siggraph 2007 demonstration, and are available online, as well.
The animation in Happy Feet invested heavily in motion capture technology, with the dance scenes acted out by human dancers. The tap-dancing for Mumble in particular was provided by Savion Glover who was also co-choreographer for the dance sequences. The dancers went through "Penguin School" to learn how to move like a penguin, and also wore head apparatus to mimic a penguin's beak.
Happy Feet needed an enormous group of computers, and Animal Logic worked with IBM to build a server farm with sufficient processing potential. The film took four years to make. Ben Gunsberger, Lighting Supervisor and VFX Department Supervisor, says this was partly because they needed to build new infrastructure and tools. The server farm used IBM BladeCenter framework and BladeCenter HS20 blade servers, which are extremely dense separate computer units each with two Intel Xeon processors. Rendering took up 17 million CPU hours over a nine month period.
Read more about this topic: Happy Feet
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