Witchcraft and Religious Imagery
In addition to traditional, religious subjects, Baldung was concerned during these years with the profane theme of the imminence of death and with scenes of sorcery and witchcraft. He was responsible for introducing supernatural and erotic themes into German art. He often depicted witches, also a local interest: Strasbourg's humanists studied witchcraft and its bishop was charged with ferreting out witches. His most characteristic paintings are fairly small in scale; a series of puzzling, often erotic allegories and mythological works. The number of Hans Baldung's religious works diminished with the Protestant Reformation's discouragement of idolatry. But earlier, around the same time that he produced Adam and Eve, the artist became interested in themes related to death, the supernatural, witchcraft and sorcery. That Mankind's mortality became a subject for Baldung was not unusual. Baldung’s fascination with witchcraft lasted well into the end of his career.
Read more about this topic: Hans Baldung
Famous quotes containing the words witchcraft, religious and/or imagery:
“No exorciser harm thee.
Nor no witchcraft charm thee.
Ghost unlaid forbear thee.
Nothing ill come near thee.
Quiet consummation have,
And renowned be thy grave.”
—William Shakespeare (1564–1616)
“We are not a religious people, but we are a nation of politicians. We do not care for the Bible, but we do care for the newspaper. At any meeting of politicians ... how impertinent it would be to quote from the Bible! how pertinent to quote from a newspaper or from the Constitution!”
—Henry David Thoreau (1817–1862)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)