Hand of Omega - History

History

The Hand of Omega was removed from Gallifrey by the First Doctor prior to his self-imposed exile before the events of the first Doctor Who episode. He then hid it in a funeral parlour in London in 1963, as seen in the 1988 serial Remembrance of the Daleks.

The Hand resided in a casket that made it resemble a coffin. The casket had a dull, bronze appearance to it, but what material it was actually made from is unknown. Seemingly possessed of some basic intelligence, the Hand had the ability to levitate and follow simple orders. It was also able, on the Doctor's orders, to suffuse a baseball bat with energy, which the Doctor's companion Ace then used briefly as a weapon.

In Remembrance, the Seventh Doctor returned to 1963, apparently to move the Hand to another hiding place. In truth, he was laying a trap for the Daleks and their creator, Davros. Davros had hoped to use the Hand to transform the sun of the Dalek homeworld Skaro into a power source for time travel. However, the Doctor had altered the Hand's programming so that instead of enhancing Skaro's sun, the Hand turned it supernova, obliterating Skaro and, presumably, the Daleks themselves. The Hand of Omega returned to Gallifrey afterward.

Read more about this topic:  Hand Of Omega

Famous quotes containing the word history:

    It is true that this man was nothing but an elemental force in motion, directed and rendered more effective by extreme cunning and by a relentless tactical clairvoyance .... Hitler was history in its purest form.
    Albert Camus (1913–1960)

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)