Films
Some of Caine's novels were made into films, all of which were black-and-white and silent. Unauthorised versions of The Deemster and The Bondsman were made by Fox Film Corporation. In 1914, Vitalograph filmed The Bondsman, which was also unauthorised.
The first authorised film of a Caine novel was a version of The Christian, made by the London Film Company in 1915 and starred his son Derwent Hall Caine in one of the parts. In 1916, The Manxman, also produced by the London Film Company, was filmed on the Isle of Man and, when released in 1917, drew huge crowds in Britain and America. A film of The Deemster, also starring Derwent, was made by the Arrow Film Corporation and released in 1918. The Christian was also remade in 1923, produced by Samuel Goldwyn, and directed by the celebrated Maurice Tourneur.
In 1915, the first version of The Eternal City was produced by Paramount Pictures, and in 1923 the Samuel Goldwyn Company shot a remake in Italy. Caine was so unhappy with the latter film that he tried to withdraw his name from it, unsuccessfully.
More films were in progress, including Darby and Joan. This was based on an old novella, was produced by Master Films, and again starred Derwent. A film of The Woman Thou Gavest Me was made in 1919 by Famous Players and this drew good audiences and good reviews. The Woman of Knockaloe was filmed by Paramount Pictures in 1927 as Barbed Wire. Then Alfred Hitchcock arrived on the Isle of Man to film The Manxman (1929) but he and Caine did not get on well and the rest of the film was shot in Cornwall. The Manxman was Hitchcock's last silent film. Caine was not happy with it.
Read more about this topic: Hall Caine
Famous quotes containing the word films:
“Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.”
—Marjorie Rosen (b. 1942)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)