Production
Rei Izumi describes .hack//Legend of the Twilight as "the story of the future" and "the first to usher in the .hack franchise and the last to end." The series took Izumi and Tatsuya Hamazaki three and a half years to complete; .hack//Legend of the Twilight was originally planned to be two volumes long, but a decision was made to extend the series. As a result, the original story was rewritten. Additionally, the scene with Kamui and Zefie was extended. Kamui was originally male, her axe was not broken, and her role ended after she tossed away Grunty. Despite this, Izumi wanted to include more of Kamui and Balmung in the series.
Izumi and Hamazaki created Reki, Balmung's assistant, and Magi, Kamui's assistant, as they were deciding on character names; the two were not in the original draft of .hack//Legend of the Twilight. Reki was invented because Izumi and Hamazaki needed a character for Balmung to communicate with. Izumi suggested Reki and Tatsuya offered Magi for the names of the two assistants.
Read more about this topic: .hack//Legend Of The Twilight
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)