H. P. Lovecraft Bibliography - Scientific Works

Scientific Works

  • The Art of Fusion, Melting Pudling & Casting (1899)
  • Chemistry, 4 volumes (1899)
  • A Good Anaesthetic (1899)
  • The Railroad Review (1901)
  • The Moon (1903)
  • The Scientific Gazette (1903-4)
  • Astronomy/The Monthly Almanack (1903-4)
  • The Rhode Island Journal of Astronomy (1903-7)
  • Annals of the Providence Observatory (1904)
  • Providence Observatory Forecast (1904)
  • The Science Library, 3 volumes (1904)
  • Astronomy articles for The Pawtuxet Valley Gleaner (1906)
  • Astronomy articles for The Providence Tribune (1906-8)
  • Third Annual Report of the Providence Meteorological Station (1906)
  • Celestial Objects for All (1907)
  • Astronomical Notebook (1909–15)
  • Astronomy articles for The Providence Evening News (1914-8)
  • "Bickerstaffe" articles from The Providence Evening News (1914)
    • "Science versus Charlatanry" (9 September 1914)
    • "The Falsity of Astrology" (10 October 1914)
    • "Astrology and the Future" (13 October 1914)
    • "Delavan's Comet and Astrology" (26 October 1914)
    • "The Fall of Astrology" (17 December 1914)
  • Astronomy articles for The Asheville Gazette-News (1915)
  • Editor's Note to MacManus' "The Irish and the Fairies" (1916)
  • The Truth about Mars (1917)
  • The Cancer of Superstition (1926)

Read more about this topic:  H. P. Lovecraft Bibliography

Famous quotes containing the words scientific and/or works:

    Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
    Northrop Frye (b. 1912)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)