Realism
Courbet painted figurative compositions, landscapes, seascapes, and still-lifes. He courted controversy by addressing social issues in his work, and by painting subjects that were considered vulgar, such as the rural bourgeoisie, peasants, and working conditions of the poor. His work belonged neither to the predominant Romantic nor Neoclassical schools. History painting, which the Paris Salon esteemed as a painter's highest calling, did not interest Courbet, who stated that "the artists of one century basically incapable of reproducing the aspect of a past or future century ..." Instead, he believed that the only possible source for a living art is the artist's own experience.
His work, along with the work of Honoré Daumier and Jean-François Millet, became known as Realism. For Courbet realism dealt not with the perfection of line and form, but entailed spontaneous and rough handling of paint, suggesting direct observation by the artist while portraying the irregularities in nature. He depicted the harshness in life, and in so doing challenged contemporary academic ideas of art.
Read more about this topic: Gustave Courbet
Famous quotes containing the word realism:
“Placing the extraordinary at the center of the ordinary, as realism does, is a great comfort to us stay-at-homes.”
—Mason Cooley (b. 1927)
“I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.”
—Oscar Wilde (1854–1900)
“Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.”
—Julia Marlowe (1866–1950)