Gallery
-
Nude Lying on a Couch (1873)
Promised gift to the Metropolitan Museum of Art -
Les jardiniers (1875)
Private collection -
L'Yerres, pluie (1875)
Indiana University Art Museum, Bloomington -
Les raboteurs de parquet (The Floor Scrapers) (1875)
Musée d'Orsay, Paris -
Young Man Playing the Piano (Martial Caillebotte) c. (1876) -
Le déjeuner (1876)
Private collection -
Portraits à la campagne (1876)
Musée Baron Gérard, Bayeux -
Le pont de l'Europe (1876)
Musée du Petit Palais, Genève -
Le pont de l'Europe (1876)
Musée du Petit Palais, Genève -
On the Pont de l’Europe (1876-1877)
Kimbell Art Museum -
Les Périssoires (1877)
Milwaukee Art Museum -
Baigneurs (1878)
Private collection -
Pêcheur au bord de l'Yerres (1878) -
Les orangers (1878)
Museum of Fine Arts, Houston -
Les Périssoires (1878)
Museum of Fine Arts of Rennes -
Rue Halévy, From the 6th Floor (1878) -
Vue de toits (Effet de neige) (1878)
Musée d'Orsay, Paris -
Boulevard des Italiens (1880) -
L'homme au balcon, boulevard Haussmann (1880) -
Un balcon (1880)
Private collection -
Dans un café (1880)
Musée des Beaux-Arts de Rouen, -
Intérieur (1880)
Private collection -
Fruits sur un étalage (1882)
Museum of Fine Arts, Boston -
Portrait d'Henri Cordier (1883)
Musée d'Orsay, Paris -
Homme portant une blouse (1884)
Private collection -
Villas à Trouville (1884)
Montgomery Gallery, Kemper Corporation -
Man Drying Himself (1884)
Museum of Fine Arts, Boston -
The Yellow Fields at Gennevilliers (1884)
Wallraf-Richartz-Museum, Cologne -
Voiliers à Argenteuil (1888)
Musée d'Orsay, Paris -
La Plaine de Gennevilliers (1888) -
Nasturces (1892)
Private collection -
Le jardin du Petit Gennevilliers en hiver (1894)
Private collection
Read more about this topic: Gustave Caillebotte
Famous quotes containing the word gallery:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)