Gustave Caillebotte - Gallery

Gallery

  • Nude Lying on a Couch (1873)
    Promised gift to the Metropolitan Museum of Art
  • Les jardiniers (1875)
    Private collection
  • L'Yerres, pluie (1875)
    Indiana University Art Museum, Bloomington
  • Les raboteurs de parquet (The Floor Scrapers) (1875)
    Musée d'Orsay, Paris
  • Young Man Playing the Piano (Martial Caillebotte) c. (1876)
  • Le déjeuner (1876)
    Private collection
  • Portraits à la campagne (1876)
    Musée Baron Gérard, Bayeux
  • Le pont de l'Europe (1876)
    Musée du Petit Palais, Genève
  • Le pont de l'Europe (1876)
    Musée du Petit Palais, Genève
  • On the Pont de l’Europe (1876-1877)
    Kimbell Art Museum
  • Les Périssoires (1877)
    Milwaukee Art Museum
  • Baigneurs (1878)
    Private collection
  • Pêcheur au bord de l'Yerres (1878)
  • Les orangers (1878)
    Museum of Fine Arts, Houston
  • Les Périssoires (1878)
    Museum of Fine Arts of Rennes
  • Rue Halévy, From the 6th Floor (1878)
  • Vue de toits (Effet de neige) (1878)
    Musée d'Orsay, Paris
  • Boulevard des Italiens (1880)
  • L'homme au balcon, boulevard Haussmann (1880)
  • Un balcon (1880)
    Private collection
  • Dans un café (1880)
    Musée des Beaux-Arts de Rouen,
  • Intérieur (1880)
    Private collection
  • Fruits sur un étalage (1882)
    Museum of Fine Arts, Boston
  • Portrait d'Henri Cordier (1883)
    Musée d'Orsay, Paris
  • Homme portant une blouse (1884)
    Private collection
  • Villas à Trouville (1884)
    Montgomery Gallery, Kemper Corporation
  • Man Drying Himself (1884)
    Museum of Fine Arts, Boston
  • The Yellow Fields at Gennevilliers (1884)
    Wallraf-Richartz-Museum, Cologne
  • Voiliers à Argenteuil (1888)
    Musée d'Orsay, Paris
  • La Plaine de Gennevilliers (1888)
  • Nasturces (1892)
    Private collection
  • Le jardin du Petit Gennevilliers en hiver (1894)
    Private collection

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    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
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    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)